Karl art movement is cut art, which is a technique that
artists cut out entirely black paper freehand by using a scissor. All he does
is simply looks at the person or objects, or from a photograph and cuts out a black
paper of their exact shape and form from their poses.Every Silhouette is an
original, one of a kind work of art, signed by the artist.
Tuesday, 5 November 2013
Karl Johnson
Monday, 4 November 2013
Norman Foster
Norman designed a bridge called Millau Viaduct set in Millau,
Southern France from 1993 to 2004. He wanted the architecture of the
infrastructure to have a powerful impact of the bridge and its environment.
As he designed the bridge in a close collaboration with
constructed engineers it follows the millennium bridge over River Thames.
Crossing the River Tarn as it runs through a spectacular gorge between two high
plateaux. And the spanning of the bridge is at 2.46km from one plateau to
another in the most economical and elegant manner.
Norman also wanted the bridge to be a cable stayed
structure to delicate and transparent and to have the optimum span between
columns. It has the highest pylons built in order to become the highest and
tallest road bridge deck structure in France and Europe. Each of its section
spans at 342m and its piers range in height from 75m to 245m, with the masts
rising a further 87m above the road deck.
Saul Bass
Saul Bass, born May 8th, 1920 and died April 25th
is an American graphic designer and academy award winning film maker, best
known for his design in motion pictures title sequences, film posters and
corporate logos.
His designs were most famous for using simple, geometric shapes and their symbolism. In which a single dominant image of a figure or object stands alone to deliver a powerful message. He hand drawn them to create a casual appearance with a sophisticated message. His ability to create such a powerful message with basic shapes makes the design very impressive.
This includes one of Saul Bass’s most celebrated film title sequences, a musical made and scored by Duke Ellington who played Pie Eye in the film was described to by a law professor as ‘probably the finest pure trial movie ever made. As similar to the title sequences called ‘The Man with the Golden Arm’ He also designed the black figure in a dying pose and the white title from paper cut out and takes a photo of this it afterwards.
Most of Saul bass designs in his 1950’s films was that he designs the figure from shape and style from a human body or objects and used flat colors only to develop their shadow, they don’t have straight lines or are not neat and tide. Like ANATOMY OF A MURDER film cover the yellow and red papers as the backgrounds are dim, he use different type of color papers or is because he used lower lightning effects on the cameras from where he has taken a photo from a area. Bass made effective and memorable title sequences to create a new type of kinetic typography for his films and made them innovative. He made them generally static, bold and separate or close to each other for the films he design.
His designs were most famous for using simple, geometric shapes and their symbolism. In which a single dominant image of a figure or object stands alone to deliver a powerful message. He hand drawn them to create a casual appearance with a sophisticated message. His ability to create such a powerful message with basic shapes makes the design very impressive.
During 40 year as a graphic
designer he worked with Hollywood’s most prominent film makers in a film title
sequences called ‘The Man with the Golden Arm’, a jazz musician who struggles
to overcome his heroin addiction, a taboo subject in the mid-1950s on the film
cover he designed the arm as the central image with the film’s title as the film
features an animated, white on black paper cut out arm of a heroin addict.
He designed the arm and title
from paper cut out and then scanned it afterwards. He makes the titles generally static, bold and getting close
together. The black and blue papers as the backgrounds are
dim because he used lower lightning effects on the film covers he scans.
Saul Bass also designed a film cover call’ ANATOMY OF A MURDER’,
an American courtroom crime drama film produced and directed by
Otto Preminger. This was adapted by Wendell Mayes from the
bestselling novel of the film written by Michigan Supreme Court justice john D.
Voelker under the pen name Robert Traver. Voelker based the novel on a 1952
murder case in which he was the defence attorney. This was the first
mainstream of Hollywood films to address sex and rape in a graphic design
terms.
This includes one of Saul Bass’s most celebrated film title sequences, a musical made and scored by Duke Ellington who played Pie Eye in the film was described to by a law professor as ‘probably the finest pure trial movie ever made. As similar to the title sequences called ‘The Man with the Golden Arm’ He also designed the black figure in a dying pose and the white title from paper cut out and takes a photo of this it afterwards.
Most of Saul bass designs in his 1950’s films was that he designs the figure from shape and style from a human body or objects and used flat colors only to develop their shadow, they don’t have straight lines or are not neat and tide. Like ANATOMY OF A MURDER film cover the yellow and red papers as the backgrounds are dim, he use different type of color papers or is because he used lower lightning effects on the cameras from where he has taken a photo from a area. Bass made effective and memorable title sequences to create a new type of kinetic typography for his films and made them innovative. He made them generally static, bold and separate or close to each other for the films he design.
Monday, 23 September 2013
Akashi Kaikyō Bridge in Tokyo
The
Akashi Kaikyō
Bridge was
known as
the Pearl Bridge.
It
was built as a Suspension Bridge because it
has the longest central span of any other suspension bridge
in the world
at
1,991 metres. it
was links between the city of Kobe on the mainland of
Honshu to Iwaya
on
Awaji
Island
in japan.
The construction began from 1988 and ended until 1998 before the announcement for Opening it, which was April 5th, 1998. it was to allow all vehicles from crossing the Akashi Strait. which It carries six lanes of roadway as part of the Honshu-Shikoku Highway. The bridge has a toll that cost 2,300 yen for all vehicles to enter from Awaji Island to Kobe or Kobe to Awaji Island.
Satoshi Kashima did a good job of building the Akashi Kaikyō Bridge, a Pearl Bridge and Suspension Bridge built over the Akashi strait.
The construction began from 1988 and ended until 1998 before the announcement for Opening it, which was April 5th, 1998. it was to allow all vehicles from crossing the Akashi Strait. which It carries six lanes of roadway as part of the Honshu-Shikoku Highway. The bridge has a toll that cost 2,300 yen for all vehicles to enter from Awaji Island to Kobe or Kobe to Awaji Island.
Satoshi Kashima
Satoshi
Kashima is a
Japanese
civil engineer
and executive
director of the Japan Bridge Engineering Centre.
He
was
to
be leading the bridge designers and engineers to build the longest
suspension bridges
in
the world.
He
built the Kaikyō
Bridge
known
as
the Pearl Bridge
to
be located between
the Awaji Island
to
Kobe in Japan which
he completed
it
and was announces to be Opened on
April 5th,1998.
He earned M.S. and Ph.D. degrees in civil engineering from the University of Texas's College in Engineering.
He earned M.S. and Ph.D. degrees in civil engineering from the University of Texas's College in Engineering.
History
Before
Satoshi Kashima build the Akashi
Kaikyō
Bridge,
boats and ferries carried passengers and
sailed them across the Akashi Strait in Japan.
In 1955, two ferries sank because of the experiences in the Akashi strait during a storm killing 168 people.
In 1955, two ferries sank because of the experiences in the Akashi strait during a storm killing 168 people.
The
Japanese
governments
was shock and
outrage
about this and was about to convinced Satoshi Kashima and the
Japan Bridge
Engineering Center
to develop
and
build plans for
a suspension bridge to cross the Akashi strait.
The
original
plan was
to be a mixed railway-road bridge, but when the
construction began in April 1988, Satoshi Kashima and
the Japan Bridge Engineering Center had
to restricted
the
road
only, due
to a six
lanes
plan.
The
bridge
was then
opened for
traffic on April 5, 1998. The Akashi
Strait is
now an
international waterway that necessitated the provision of a 1,500
metre wide shipping
lane.
Suspension Bridge
A
suspension bridge is the deck of the bridge that hangs below
the
suspension cables
on vertical suspenders
between the towers.
Vertical
suspender
cables also
carry the
weight of the deck below, upon which traffic crosses.
This
will allows the deck to be level or to arc upward for additional clearance.
Like other suspension bridge types, this type often is designed without false
work.
Bridges
without vertical suspenders would have a long history in many parts of the
world.
Outside
Tibet
and Bhutan, where the first type of
bridges
were
built in the 15th century.
The bridge Tourism
Satoshi
Kashima have
built a tourist attraction on
The
Akashi Kaikyo
Bridge for
the
tourist to view the city
landscape of Awaji Island a
Kobe.
He
also built two parking spaces near the bridge, he named them ‘Maiko and Asagiri’
and Both can be
reached
accessible to the coastal train line.
He
also including a small museum in Maiko.
My conclusion to this bridge
Satoshi Kashima did a good job of building the Akashi Kaikyō Bridge, a Pearl Bridge and Suspension Bridge built over the Akashi strait.
Which
allows
all vehicles
to travel between Awaji
Island and
Kobe instead of taking the ferries in the dangerous strait.
Also
allowing tourist view the
landscape
of the two city while their
vehicles
can be parked
in
two parking space in Maiko
and Asagiri near
the
bridge.
Except
the cost on the bridge is too expensive, which Satoshi Kashima could reduces the prices for tourist to
not waste their money in travelling the two cities.
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